Saul Bellow

Tommy Wilhelm tries to save himself from drowning under the weight of his own existence as his life comes apart around him after failing in his job, marriage, and investments.

Harry Trellman doesn't belong. Not in the Chicago orphanage where he is sent by his mother, not in high school (too brainy), not even on the streets. Human attachments? Yes, he has them, but they are like everything else in his life, singular and irregular. People who know him say that he "drowns his feelings in his face," and that he has a Mongolian "masked look." But though Harry stands apart, he has always been a most keen observer, listener, recorder,...

In this unique noir masterpiece by the incomparable Saul Bellow, a young man is sucked into the mysterious, heat-filled vortex of New York City. Asa Leventhal, a temporary bachelor with his wife away on a visit to her mother, attempts to find relief from a Gotham heat wave, only to be accosted in the park by a down-at-the-heels stranger who accuses Leventhal of ruining his life. Unable to shake the stranger loose, Leventhal is led by his own self-doubts...

"A sweeping collection and a tribute to one of the most influential, daring, and visionary minds of the twentieth century The year 2015 marks several literary milestones: the centennial of Saul Bellow's birth, the tenth anniversary of his death, and the publication of Zachary Leader's much anticipated biography. Bellow, a Nobel Laureate, Pulitzer Prize winner, and the only novelist to receive three National Book awards, has long been regarded as one...

"Nobel Prize winner Saul Bellow has deservedly been celebrated as one of America's greatest writers. For more than sixty years he stretched our minds, our imaginations, and our hearts with his exhilarating perceptions of life. Here, collected in one volume and chosen by the author himself, are favorites such as 'What kind of day did you have?,' 'Leaving the yellow house,' and a previously uncollected piece, 'By the St. Lawrence.' With his larger-than-life...

This spoof of documentary films stars Woody Allen as Leonard Zelig, the famous "Chameleon Man" of the 1920's, whose personality was so vague he would assume the characteristics of whomever he came into contact with. Filmed in black-and-white, the movie simulates the look of a newsreel, complete with stentorian narration.