Alicia Ostriker
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Alicia Ostriker seizes the opportunity to take us where too few poets have been able to take us: into a domain of what our fabulists like to call the "golden years." as we live longer, we become inevitably curious about the actual texture of these late years, curious about what happens in the soul. Out of that curiosity is a new kind of poetry born, an elderstile that has passion and irony, wisdom, folly, clarity and tenderness. In her keen engagement...
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From A Woman Under the Surface:
MOON AND EARTH
Alicia Ostriker
Of one substance, of one
Matter, they have cruelly
Broken apart. They never will touch
Each other again. The shining
Lovelier and younger
Turns away, a pitiful girl.
She is completely naked
And it hurts. The larger
Motherly one, breathlessly luminous
Emerald, and blue, and white
Traveling mists, suffers
Birth and death, birth
and death, and the shock
Of internal...
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Poet Alicia Ostriker is also a highly original scholar/teacher of midrash, the commentary and exegesis of scripture (the same root as madrasa, place of study). Here she \u2018studies' Jewish history, Jewish passion, Jewish contradictions, in a compendium of learned, crafted, earthy and outward-looking poems that show how this quest has informed and enriched her whole poet's trajectory.\u201d
-Marilyn Hacker
6) Green Age
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Alicia Suskin Ostriker is that rare combination, a writer equally admired as poet and critic. The variety of subjects in Green Age is characteristic of her writing: from the opening poem, "Fifty," funny, courageous, and defiant, to a set of birthday poems for a grown daughter; from emulations of the Persian mystic Rumi, to the provactive "Meditation in Seven Days," whose central assumption is that we may find in the Bible traces of a Canaanite goddess...
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This book by a major American poet is for poetry readers at all levels, academic and non-academic. It is a sequence of poems that will surprise and delight readers-in the voices of an old woman full of memories, a glamorous tulip, and an earthy dog who always has the last word.
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What is it like living today in the chaos of a city that is at once brutal and beautiful, heir to immigrant ancestors "who supposed their children's children would be rich and free?" What is it to live in the chaos of a world driven by "intolerable, unquenchable human desire?" How do we cope with all the wars? In the midst of the dark matter and dark energy of the universe, do we know what train we're on? In this cornucopia of a book, Ostriker finds...
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• Winner of the 1987 William Carlos Williams Award presented by the Poetry Society of AmericaWith The Imaginary Lover, Alicia Ostriker takes her place among the most striking and original poets whose work is informed by feminist consciousness. Her characterization of the best poetry by women, in the New York Times Book Review, aptly describes this book: "intimate rather than remote, passionate rather than distant, defying divisions between emotion...
10) No Heaven
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Alicia Suskin Ostriker's voice has long been acknowledged as a major force in American poetry. In No Heaven, her eleventh collection, she takes a hint from John Lennon's "Imagine" to wrestle with the world as it is: "no hell below us, / above us only sky." It is a world of cities, including New York, London, Jerusalem, and Berlin, where the poet can celebrate pickup basketball, peace marches, and the energy of graffiti. It is also a world of families,...
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In 1970, as the war in Vietnam was heating up, Ostriker was awaiting the birth of her son. On April 30, President Nixon announced the bombing of Cambodia. On May 14, four students were shot and killed by National Guardsmen at Kent State University. The poems in this collection confront Ostriker's personal tumult as she considered the world she had brought her son into.