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The pink glass swan: selected essays on feminist art

Book Cover
Average Rating
Publisher:
New Press,
Pub. Date:
c1995.
Language:
English
Description

In the 1970s, Lucy R. Lippard, author of the highly original and popular Mixed Blessings , merged her art-world concerns with those of the then-fledgling women's movement. In a career that spans sixteen books and scores of articles, catalogs, and essays on art, political activism, feminism, and multiculturalism, her engaging and provocative writings have heralded a new way of thinking about art and its role in the feminist movement.

This new collection of previously published essays covers more than two decades of Lippard's thinking on the ever-evolving definitions of feminist art, the convergence of high and low art, political and activist art, and the contributions of feminist theory to the politics of identity that infuses the production and exhibition of much of today's fine and popular art.

With a new introduction from the author, The Pink Glass Swan brings together selections from two of Lippard's leading works, From the Center: Feminist Essays on Art and Get the Message?: A Decade of Art for Social Change , and numerous other articles written for newspapers, magazines, and art catalogs across the country.

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ISBN:
9781565842137
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Grouping Information

Grouped Work ID 6d6f67ab-2bb2-3817-3bd1-3205b3d07b6d
Grouping Title pink glass swan selected essays on feminist art
Grouping Author lippard lucy r
Grouping Category book
Last Grouping Update 2018-08-11 04:21:02AM
Last Indexed 2018-09-23 04:28:59AM

Solr Details

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primary_isbn 9781565842137
publishDate 1995
record_details ils:.b11236899|Book|Books||English|New Press,|c1995.|viii, 342 p. : ill. ; 24 cm.
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subject_facet Feminism and art, Feminist art criticism
title_display The pink glass swan : selected essays on feminist art
title_full The pink glass swan : selected essays on feminist art / Lucy R. Lippard
title_short The pink glass swan :
title_sub selected essays on feminist art
topic_facet Feminism and art, Feminist art criticism