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Berlin cabaret

Book Cover
Average Rating
Publisher:
Harvard University Press,
Pub. Date:
1993.
Language:
English
Description

Step into Ernst Wolzogen's Motley Theater, Max Reinhardt's Sound and Smoke, Rudolf Nelson's Chat noir, and Friedrich Hollaender's Tingel-Tangel. Enjoy Claire Waldoff's rendering of a lower-class Berliner, Kurt Tucholsky's satirical songs, and Walter Mehring's Dadaist experiments, as Peter Jelavich spotlights Berlin's cabarets from the day the curtain first went up, in 1901, until the Nazi regime brought it down.

Fads and fashions, sexual mores and political ideologies--all were subject to satire and parody on the cabaret stage. This book follows the changing treatment of these themes, and the fate of cabaret itself, through the most turbulent decades of modern German history: the prosperous and optimistic Imperial age, the unstable yet culturally inventive Weimar era, and the repressive years of National Socialism. By situating cabaret within Berlin's rich landscape of popular culture and distinguishing it from vaudeville and variety theaters, spectacular revues, prurient "nude dancing," and Communist agitprop, Jelavich revises the prevailing image of this form of entertainment.

Neither highly politicized, like postwar German Kabarett , nor sleazy in the way that some American and European films suggest, Berlin cabaret occupied a middle ground that let it cast an ironic eye on the goings-on of Berliners and other Germans. However, it was just this satirical attitude toward serious themes, such as politics and racism, that blinded cabaret to the strength of the radical right-wing forces that ultimately destroyed it. Jelavich concludes with the Berlin cabaret artists' final performances--as prisoners in the concentration camps at Westerbork and Theresienstadt.

This book gives us a sense of what the world looked like within the cabarets of Berlin and at the same time lets us see, from a historical distance, these lost performers enacting the political, sexual, and artistic issues that made their city one of the most dynamic in Europe.

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ISBN:
9780674067622
9780674067615
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Grouping Information

Grouped Work ID840561e1-7bbe-988b-a942-bd21a64971cf
Grouping Titleberlin cabaret
Grouping Authorjelavich peter
Grouping Categorybook
Last Grouping Update2020-02-01 04:12:26AM
Last Indexed2020-07-11 04:35:07AM

Solr Details

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authorJelavich, Peter.
author_displayJelavich, Peter
available_at_santafeMain Library
detailed_location_santafeMain
display_descriptionStep into Ernst Wolzogen's Motley Theater, Max Reinhardt's Sound and Smoke, Rudolf Nelson's Chat noir, and Friedrich Hollaender's Tingel-Tangel. Enjoy Claire Waldoff's rendering of a lower-class Berliner, Kurt Tucholsky's satirical songs, and Walter Mehring's Dadaist experiments, as Peter Jelavich spotlights Berlin's cabarets from the day the curtain first went up, in 1901, until the Nazi regime brought it down. Fads and fashions, sexual mores and political ideologies - all were subject to satire and parody on the cabaret stage. This book follows the changing treatment of these themes, and the fate of cabaret itself, through the most turbulent decades of modern German history: the prosperous and optimistic Imperial age, the unstable yet culturally inventive Weimar era, and the repressive years of National Socialism. By situating cabaret within Berlin's rich landscape of popular culture and distinguishing it from vaudeville and variety theaters, spectacular revues, prurient "nude dancing," and Communist agitprop, Jelavich revises the prevailing image of this form of entertainment. Neither highly politicized, like postwar German Kabarett, nor sleazy in the way that some American and European films suggest, Berlin cabaret occupied a middle ground that let it cast an ironic eye on the goings-on of Berliners and other Germans. However, it was just this satirical attitude toward serious themes, such as politics and racism, that blinded cabaret to the strength of the radical right-wing forces that ultimately destroyed it. Jelavich concludes with the Berlin cabaret artists' final performances - as prisoners in the concentration camps at Westerbork and Theresienstadt. This book gives us a sense of what the world looked like within the cabarets of Berlin and at the same time lets us see, from a historical distance, these lost performers enacting the political, sexual, and artistic issues that made their city one of the most dynamic in Europe.
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owning_library_santafeSanta Fe Public Library
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primary_isbn9780674067622
publishDate1993
record_details
Bib IdFormatFormat CategoryEditionLanguagePublisherPublication DatePhysical Description
ils:.b14927597BookBooksEnglishHarvard University Press, 1993.xii, 322 pages : illustrations ; 25 cm.
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Bib IdItem IdGrouped StatusStatusLocally OwnedAvailableHoldableBookableIn Library Use OnlyLibrary OwnedHoldable PTypesBookable PTypesLocal Url
ils:.b14927597.i19844037On Shelf*CHECK SHELF*falsetruetruefalsefalsetrue9999
seriesStudies in cultural history
series_with_volumeStudies in cultural history|
subject_facetBerlin (Germany) -- Social conditions -- 20th century
Cabaret
Music-halls (Variety-theaters, cabarets, etc.) -- Germany -- Berlin -- History
Political satire, German -- Germany -- Berlin -- History and criticism
Politieke satires
Revues
Theater -- Political aspects -- Germany -- Berlin
title_displayBerlin cabaret
title_fullBerlin cabaret / Peter Jelavich
title_shortBerlin cabaret
topic_facetCabaret
History
History and criticism
Music-halls (Variety-theaters, cabarets, etc.)
Political aspects
Political satire, German
Politieke satires
Revues
Social conditions
Theater