Cranford
(eAudiobook)

Book Cover
Average Rating
Published
Tantor Media, Inc., 2010.
Format
eAudiobook
Status
Available Online

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Physical Description
6h 30m 0s
Language
English
ISBN
9781400199457

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Citations

APA Citation, 7th Edition (style guide)

Elizabeth Gaskell., Elizabeth Gaskell|AUTHOR., & Wanda McCaddon|READER. (2010). Cranford . Tantor Media, Inc..

Chicago / Turabian - Author Date Citation, 17th Edition (style guide)

Elizabeth Gaskell, Elizabeth Gaskell|AUTHOR and Wanda McCaddon|READER. 2010. Cranford. Tantor Media, Inc.

Chicago / Turabian - Humanities (Notes and Bibliography) Citation, 17th Edition (style guide)

Elizabeth Gaskell, Elizabeth Gaskell|AUTHOR and Wanda McCaddon|READER. Cranford Tantor Media, Inc, 2010.

MLA Citation, 9th Edition (style guide)

Elizabeth Gaskell, Elizabeth Gaskell|AUTHOR, and Wanda McCaddon|READER. Cranford Tantor Media, Inc., 2010.

Note! Citations contain only title, author, edition, publisher, and year published. Citations should be used as a guideline and should be double checked for accuracy. Citation formats are based on standards as of August 2021.

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Grouping Information

Grouped Work ID3e58e7d0-56eb-21c5-d748-8797dea79270
Full titlecranford
Authorgaskell elizabeth
Grouping Categorybook
Last Update2022-05-13 09:39:41AM
Last Indexed2022-05-21 02:40:39AM

Book Cover Information

Image Sourcehoopla
First LoadedAug 18, 2021
Last UsedSep 17, 2021

Hoopla Extract Information

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    [synopsis] => Cranford, Elizabeth Gaskell's best-known work, is a humorous account of a nineteenth-century English village dominated by a group of genteel but modestly circumstanced women. This is a community that runs on cooperation and gossip, at the very heart of which are the daughters of the former rector: Miss Deborah Jenkyns and her sister, Miss Matty. But domestic peace is constantly threatened in the form of financial disaster, imagined burglaries, tragic accidents, and the reappearance of long-lost relatives.By eschewing the conventional marriage plot with its nubile heroines and focusing instead on a group of middle-aged and elderly spinsters, Gaskell does something highly unusual within the novel genre. Through her masterful management of the novel's tone, she underscores the value and dignity of single women's lives even as she causes us to laugh at her characters' foibles. Charles Dickens was the first of many readers to extol its wit and charm, and it has consistently been Gaskell's most popular work.
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