William Blake

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Parkstone International, 2015.
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APA Citation (style guide)

Osbert Burdett., & Osbert Burdett|AUTHOR. (2015). William Blake. Parkstone International.

Chicago / Turabian - Author Date Citation (style guide)

Osbert Burdett and Osbert Burdett|AUTHOR. 2015. William Blake. Parkstone International.

Chicago / Turabian - Humanities Citation (style guide)

Osbert Burdett and Osbert Burdett|AUTHOR, William Blake. Parkstone International, 2015.

MLA Citation (style guide)

Osbert Burdett, and Osbert Burdett|AUTHOR. William Blake. Parkstone International, 2015. Web.

Note! Citation formats are based on standards as of July 2010. Citations contain only title, author, edition, publisher, and year published. Citations should be used as a guideline and should be double checked for accuracy.
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Grouped Work IDb1a8db6f-71c9-37bb-3a30-cfe6f0760a56
Full titlewilliam blake
Authorburdett osbert
Grouping Categorybook
Last Update2020-10-29 14:20:11PM
Last Indexed2021-04-10 03:09:05AM

Book Cover Information

Image Sourcehoopla
First LoadedDec 30, 2020
Last UsedDec 30, 2020

Hoopla Extract Information

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    [year] => 2015
    [artist] => Osbert Burdett
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    [title] => William Blake
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    [synopsis] => Poet, draughtsman, engraver and painter, William Blake's work is made up of several elements – Gothic art, Germanic reverie, the Bible, Milton and Shakespeare – to which were added Dante and a certain taste for linear designs, resembling geometric diagrams, and relates him to the great classical movement inspired by Winckelmann and propagated by David. This is the sole point of contact discernible between the classicism of David and English art, though furtive and indirect. Blake is the most mystic of the English painters, perhaps the only true mystic. He was ingenious in his inner imagination, and his interpretations of ancient and modern poets reveal as true and candid a spirit as the title of his first work – poems he composed, illustrated and set to music, Songs of Innocence and Songs of Experience. Later he achieved grandeur, power and profundity, especially in certain tempera paintings. Just like others, Blake was considered an eccentric by most of his contemporaries, until his genius was recognised in the second half of the nineteenth century.
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    [publisher] => Parkstone International