Antiques
(eBook)

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Published
Cornell University Press, 2011.
Format
eBook
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Available Online
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Language
English
ISBN
9780801463815
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APA Citation (style guide)

Leon Rosenstein., & Leon Rosenstein|AUTHOR. (2011). Antiques. Cornell University Press.

Chicago / Turabian - Author Date Citation (style guide)

Leon Rosenstein and Leon Rosenstein|AUTHOR. 2011. Antiques. Cornell University Press.

Chicago / Turabian - Humanities Citation (style guide)

Leon Rosenstein and Leon Rosenstein|AUTHOR, Antiques. Cornell University Press, 2011.

MLA Citation (style guide)

Leon Rosenstein, and Leon Rosenstein|AUTHOR. Antiques. Cornell University Press, 2011. Web.

Note! Citation formats are based on standards as of July 2010. Citations contain only title, author, edition, publisher, and year published. Citations should be used as a guideline and should be double checked for accuracy.
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Grouped Work IDfc1778ce-1710-c926-e773-d4e6d187d95f
Full titleantiques
Authorrosenstein leon
Grouping Categorybook
Last Update2020-10-29 14:20:11PM
Last Indexed2021-02-22 03:32:00AM

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First LoadedFeb 22, 2021
Last UsedFeb 22, 2021

Hoopla Extract Information

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    [synopsis] => The notion of retrieving a bit of the past-by owning a material piece of it-has always appealed to humans. Often our most prized possessions are those that have had a long history before they came into our hands. Part of the pleasure we gain from the encounter with antiques stems from the palpable age and the assumed (sometimes-imaginary) cultural resonances of the particular object. But precisely what is it about these objects that creates this attraction? What common characteristics do they share and why and how do these traits affect us as they do? In Antiques: The History of an Idea, Leon Rosenstein, a distinguished philosopher who has also been an antiques dealer for more than twenty years, offers a sweeping and lively account of the origin and development of the antique as both a cultural concept and an aesthetic category. He shows that the appeal of antiques is multifaceted: it concerns their value as commodities, their age and historical and cultural associations, their uniqueness, their sensuous and tactile values, their beauty. Exploring how the idea of antiques evolved over time, Rosenstein chronicles the history of antique collecting and connoisseurship. He describes changing conceptions of the past in different epochs as evidenced by preservations, restorations, and renascences; examines shifting attitudes toward foreign cultures as revealed in stylistic borrowings and the importation of artifacts; and investigates varying understandings of and meanings assigned to their traits and functions as historical objects. While relying on the past for his evidence, Rosenstein approaches antiques from an entirely original perspective, setting history within a philosophical framework. He begins by providing a working definition of antiques that distinguishes them from other artifacts in general and, more distinctly, both from works of fine art and from the collectible detritus of popular culture. He then establishes a novel set of criteria for determining when an artifact is an antique: ten traits that an object must possess in order to elicit the aesthetic response that is unique to antiques. Concluding with a provocative discussion of the relation between antiques and civilization, this engaging and thought-provoking book helps explain the enduring appeal of owning a piece of the past.
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    [subtitle] => The History of an Idea
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