Songs about Jane
(Music)

Book Cover
Average Rating
Published
New York, NY : Octone Records, [2002].
Format
Music
Physical Desc
1 audio disc : digital ; 4 3/4 in.
Status
Main Library - Media
CD music Rock Maroon
1 available
Southside - Media
CD music Rock Maroon
1 available

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LocationCall NumberStatus
Main Library - MediaCD music Rock MaroonOn Shelf
Southside - MediaCD music Rock MaroonOn Shelf

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Published
New York, NY : Octone Records, [2002].
Language
English
UPC
823765000128

Notes

General Note
Rock music.
General Note
Compact disc.
General Note
Lyrics and credits (1 folded sheet : port.) inserted in container.
Creation/Production Credits
Produced by Matt Wallace.
Participants/Performers
Maroon 5 (Adam Levine, vocals, guitar ; Ryan Dusick, drums, vocals ; Jesse Carmichael, keyboards, vocals ; James Valentine, guitar ; Mickey Madden, bass) ; additional assisting musicians.
Date/Time and Place of Event
Recorded at Rumbo Recorders, Can Am Recorders, and The Hook, in Los Angeles, Calif.
Description
Maroon 5: Adam Levine (vocals, guitar); James Valentine (guitar); Jesse Carmichael (keyboards, background vocals); Mickey Madden (bass); Ryan Dusick (drums, background vocals). Additional personnel includes: Jon O'Brien (programming); Mystic, Rashida Jones (background vocals). Principally recorded at Rumbo, Can Am, The Hook Studios, Los Angeles, California. Though on first listen it may be tempting to describe Maroon 5 as simply an American Jamiroquai with more developed songwriting skills, the comparison really only scratches the surface of the quintet's diverse sound. Throughout SONGS ABOUT JANE, leader Adam Levine and his band deftly combine a distinctive old school R & B/disco/electro vibe with the best elements of chart-topping melancholy popsters like Train, Matchbox 20, and The Dave Matthews band. On many tracks, Levine's vocals bear an uncanny resemblance to Stevie Wonder's golden pipes, and the combo does its best to match the Motown genius's unerring sense of endless groove. An ambitious goal indeed, but Maroon 5 acquits itself admirably throughout, in the process creating an unusually successful, completely natural-sounding and eminently danceable stylistic synthesis.