The face of Britain : a history of the nation through its portraits
(Book)

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Published
New York, NY : Oxford University Press, [2016].
Format
Book
Physical Desc
xxiv, 602 pages : illustrations, portraits ; 25 cm
Status
Main Library - Adult
704.9 Sch
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Main Library - Adult704.9 SchOn Shelf

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Published
New York, NY : Oxford University Press, [2016].
Language
English

Notes

Bibliography
Includes bibliographical references (pages 562-580) and index.
Description
Simon Schama's latest book fuses history and art to create a tour de force of narrative sweep and illuminating insight. Using images from works--paintings, photographs, lithographs, etchings, sketches--found in London's National Portrait Gallery, The Face of Britain weaves together an account of their composition, framed by their particular moment of creation, and in the process unveils a collective portrait of a nation and its history. "Portraits." Schama writes, "have always been made with an eye to posterity." Commissioned to paint Winston Churchill in 1954, Graham Sutherland struggled with how to capture the "savior" of Great Britain honestly and humanely. Schama calls the portrait, initially damned, the "most powerful image of a Great Briton ever executed." Annie Leibovitz's photograph of a nude John Lennon kissing Yoko Ono, taken five hours before his murder, bears "a weight of poignancy she could not possibly have anticipated." Hans Holbein's preparatory sketch for a portrait of Henry VIII depicts "an unstoppable engine of dynastic generation." Here are expressions from across the centuries of normalcy and heroism, beauty and disfigurement, aristocracy and deprivation, the familiar and the obscure--the faces of courtesans, warriors, workers, activists, playwrights, the high and mighty as well as pub-crawlers. Linking them is Schama's vibrant exploration of how their connective power emerges from the dynamic between subject and artist, work and viewer, time and place. Schama's compelling analysis and impassioned evocation of these works create an unforgettable verbal mosaic that at once reveals and transforms the images he places before us.--Adapted from dust jacket.
Description
Uses images from paintings, photographs, lithographs, etchings, and sketches found in London's National Portrait Gallery to weave together an account of their composition and in the process unveil a collective portrait of a nation and its history.

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