I used to live here once : the haunted life of Jean Rhys
(Book)

Book Cover
Average Rating
Published
New York, N.Y. : W.W. Norton & Company, 2022.
Format
Book
Edition
First American edition.
Physical Desc
xvii, 421 pages : illustrations, map ; 24 cm
Status
Main Library - Adult
BIO RHYS, J
1 available
Oliver La Farge - Adult
BIO RHYS, J
1 available

Description

Loading Description...

Also in this Series

Checking series information...

Copies

LocationCall NumberNoteStatus
Main Library - AdultBIO RHYS, JHardcoverOn Shelf
Oliver La Farge - AdultBIO RHYS, JHardcoverOn Shelf

Extras

More Details

Published
New York, N.Y. : W.W. Norton & Company, 2022.
Edition
First American edition.
Language
English

Notes

Bibliography
Includes bibliographical references (pages 389-392) and index.
Description
A biography of the author of Wide Sargasso Sea examines her early years in the Caribbean as well as how her experiences with extreme poverty, alcohol, and drug dependency informed her writing.
Description
Jean Rhys is one of the most compelling writers of the twentieth century. Memories of her Caribbean girlhood haunt the four short and piercingly brilliant novels that Rhys wrote during her extraordinary years as an exile in 1920s Paris and later in England, a body of fiction -- above all, the extraordinary Wide Sargasso Sea -- that has a passionate following today. And yet her own colorful life, including her early years on the Caribbean island of Dominica, remains too little explored, until now. In I Used to Live Here Once, Miranda Seymour sheds new light on the artist whose proud and fiercely solitary life profoundly informed her writing. Rhys experienced tragedy and extreme poverty, alcohol and drug dependency, romantic and sexual turmoil, all of which contributed to the "Rhys woman" of her oeuvre. Today, readers still intuitively relate to her unforgettable characters, vulnerable, watchful, and often alarmingly disaster-prone outsiders; women with a different way of moving through the world. And yet, while her works often contain autobiographical material, Rhys herself was never a victim. The figure who emerges for Seymour is cultured, self-mocking, unpredictable -- and shockingly contemporary.

Reviews from GoodReads

Loading GoodReads Reviews.