The influence of Euripides on the development of the dramatic genre cannot be overstated. Along with Sophocles and Aeschylus he is regarded as one of the three great Greek tragedians from classical antiquity. One of the most important of Euripides' surviving dramas is "Medea", the story of its title character, the wife of Jason of the Argonauts, who seeks revenge upon her unfaithful husband when he abandons her for a another bride. Set in Corinth...

Aeschylus was the first of the three ancient Greek tragedians whose plays can still be read or performed, the others being Sophocles and Euripides. He is often described as the father of tragedy: our knowledge of the genre begins with his work and our understanding of earlier tragedies is largely based on inferences from his surviving plays. Only seven of his estimated seventy to ninety plays have survived into modern times. Fragments of some other...

Euripides was one of the three great tragedians of classical Athens, the other two being Aeschylus and Sophocles. Some ancient scholars attributed ninety-five plays to him; of these, eighteen or nineteen have survived complete. Euripides is identified with theatrical innovations that have profoundly influenced drama down to modern times, especially in the representation of traditional, mythical heroes as ordinary people in extraordinary circumstances....

Euripides, the youngest of the trio of great Greek tragedians was born at Salamis in 480 B.C., on the day when the Greeks won their momentous naval victory there over the fleet of the Persians. The precise social status of his parents is not clear but he received a good education, was early distinguished as an athlete, and showed talent in painting and oratory. He was a fellow student of Pericles, and his dramas show the influence of the philosophical...

"The Electra of Euripides has the distinction of being, perhaps, the best abused, and, one might add, not the best understood, of ancient tragedies. "A singular monument of poetical, or rather unpoetical perversity;" "the very worst of all his pieces;" are, for instance, the phrases applied to it by Schlegel. Considering that he judged it by the standards of conventional classicism, he could scarcely have arrived at any different conclusion. For it...

In his clear preface, Gilbert Murray says with truth that The Trojan Women, valued by the usage of the stage, is not a perfect play. It is only the crying of one of the great wrongs of the world wrought into music. Yet it is one of the greater dramas of the elder world. In one situation, with little movement, with few figures, it flashes out a great dramatic lesson, the infinite pathos of a successful wrong. It has in it the very soul of the tragic....

Euripides was one of the three great tragedians of classical Athens, the other two being Aeschylus and Sophocles. Some ancient scholars attributed ninety-five plays to him; of these, eighteen or nineteen have survived complete. Euripides is identified with theatrical innovations that have profoundly influenced drama down to modern times, especially in the representation of traditional, mythical heroes as ordinary people in extraordinary circumstances....

Euripides was one of the three great tragedians of classical Athens, the other two being Aeschylus and Sophocles. Some ancient scholars attributed ninety-five plays to him; of these, eighteen or nineteen have survived complete. Euripides is identified with theatrical innovations that have profoundly influenced drama down to modern times, especially in the representation of traditional, mythical heroes as ordinary people in extraordinary circumstances....

Nicomachean Ethics Aristotle - The Nicomachean Ethics is one of Aristotle's most widely read and influential works. Ideas central to ethics-that happiness is the end of human endeavor, that moral virtue is formed through action and habituation, and that good action requires prudence-found their most powerful proponent in the person medieval scholars simply called "the Philosopher." Drawing on their intimate knowledge of Aristotle's thought, Robert...

Aeschylus was the first of the three ancient Greek tragedians whose plays can still be read or performed, the others being Sophocles and Euripides. He is often, described as, the father of tragedy: our knowledge of the genre begins with his work and our understanding of earlier tragedies is largely, based on inferences from his surviving plays. Only seven of his estimated seventy to ninety plays have survived into modern times. Fragments of some other...