The Art Institute of Chicago, although renowned for its holdings of works by the French Impressionists, also houses a wealth of superb examples by American proponents of this distinctive style. The breadth of the museum's collection of American Impressionism is rich, with a substantial body of paintings and watercolors by Winslow Homer, who is seen today as a precursor to Impressionism, as well as impressive portfolios of work by Americans living...

In 2016, the School of the Art Institute of Chicago (SAIC) reached its 150th year. What sustains an institution is sometimes extraordinary, sometimes mundane, and often simply a matter of the sheer will of those involved. An unparalleled museum school, SAIC embodies something greater than the individuals who have passed through it, and yet it has also depended upon the unique and special nature of its protagonists, its founders who survived the Great...

In the Art Institute of Chicago's miniature Thorne Rooms, the Thorne Rooms key and a mysterious set of rings lead Ruthie and Jack to new historical eras and a woman who went missing as a young girl.

A magical coin coin leads sixth-graders Ruthie and Jack to 1753 Massachusetts and to Jack's pirate ancestor when they return to the Art Institute of Chicago's miniature Thorne Rooms on a mission to restore an African American family's reputation.

One of America's leading curators takes you on a personal tour of the world of modern art. In the Depression-era climate of the 1930s, Katharine Kuh defied the odds and opened a gallery in Chicago, where she exhibited such relatively unknown artists as Fernand Léger, Paul Klee, Joan Miró, Ansel Adams, Marc Chagall, and Alexander Calder. Her extraordinary story reveals how and why America became a major force in the world of contemporary art.

"Drew never meant for this to happen. She didn't mean for her doodle Mike to steal the centuries-old hat. She also didn't mean for another doodle, Levi, to steal the centuries-old baby (when he was supposed to be returning the coveted hat!). And she definitely didn't mean to send the Art Institute of Chicago into a downward spiral of art-on-art combat. She just wanted to fix a simple mistake! Now everything's gone wrong, and it's mayhem at the museum....