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Author
Physical Desc
xxiii, 229 pages ; 24 cm
Language
English
Description
A provocative interpretation of why classical music in America "stayed white"- how it got to be that way and what can be done about it. In 1893 the composer Antonín Dvořák prophesied a "great and noble school" of American classical music based on the "negro melodies" he had excitedly discovered since arriving in the United States a year before. But while Black music would foster popular genres known the world over, it never gained a foothold in...
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