A Hollywood director wants to abandon comedies and make serious films. In order to feed his creative flame, he travels onto the street disguised as a hobo in order to endure real hardship.

Movie night turns deadly when a deranged projectionist casts one unlucky couple in his twisted film. By luring them through a gauntlet of increasingly deadly traps, the sadistic director is determined to make a movie that is truly to die for.

Fellini's autobiographical film about a famous film director who loses his inspiration in the midst of making a film.

When people start dropping like flies around the production of the movie Stab 3 (the latest movie sequel based on events occurring in Scream), Sidney and other Greensboro survivors are once again drawn into mayhem.

Plagued by both a reckless ego and nagging self-doubt, Hollywood legend Alfred Hitchcock becomes obsessed with a grisly murder story that the studios won't back. Determined, he risks his reputation, his home, and even the love of his wife Alma as he sets out to make the film. Ultimately, Hitch wins Alma over, and the two collaborate to create an enduring masterpiece: Psycho.

Set in 1940 London, the story is an ode to how women played a major role in boosting national morale during the Blitz of London in the second World War.

"Travelogue, memoir and outrageous cinematic spectacle converge in this kaleidoscopic valentine to the Eternal City, composed by one of its most iconic inhabitants. Leisurely one moment and breathless the next, this urban fantasia by Federico Fellini interweaves recollections of the director's young adulthood in the era of Mussolini with an impressionistic portrait of contemporary Rome, where he and his film crew are shooting footage of the bustling...

When P.L. Travers travels from London to Hollywood in 1961 to finally discuss Walt Disney's desire to bring her beloved character Mary Poppins to the motion picture screen (a quest he began in the 1940s as a promise to his two daughters), Disney meets a prim, uncompromising sexagenarian not only suspect of the impresario's concept for the film, but a woman struggling with her own past. During her stay in California, Travers' reflects back on her difficult...

The leading lady is recovering from a nervous breakdown, another performer is soused on the set, unions threaten to walk, shooting must finish before the insurance lapses and a cat can't hit its mark. Is this any way to make a film?