"America's Favorite Holidays explores how five of America's culturally dominant holidays--Christmas, Valentine's Day, Easter, Halloween, and Thanksgiving--came to be what they are today, combinations of seasonal and religious celebrations heavily influenced by modern popular culture. Distilling information from a wide range of sources, Bruce David Forbes reveals the often surprising history behind the traditions of each holiday. The book offers a...

In this major statement, the renowned international-relations scholar John Mearsheimer argues that liberal hegemony, the foreign policy pursued by the United States since the Cold War ended, is doomed to fail. It makes far more sense, he maintains, for Washington to adopt a more restrained foreign policy based on a sound understanding of how nationalism and realism constrain great powers abroad. It is widely believed in the West that the United States...

Passing, an act usually associated with disguising race, also relates to disability. Whether a person classified as mentally ill struggles to suppress aberrant behavior to appear "normal" or a person intentionally takes on a disability identity to gain some advantage, passing is a pervasive and much-discussed phenomenon. This anthology examines this issue. Focusing on the United States from the nineteenth century to the present, the editors and contributors...

A history of Riot Grrrl, a radical feminist movement that was started in the 1990s by young women who were fed up with sexism and harassment and decided to make some noise.

In this exceptional new book, Dawson Barrett calls our attention to the post-1960s period, in which US economic, cultural, and political elites turned the tide against the protest movement gains of the previous forty years and reshaped the ability of activists to influence the political process. For much of the last half-century, policymakers in both major US political parties have been guided by the "pro-business" tenets of neoliberalism. Dubbed...

Few, if any, historians have brought such insight, wisdom, and empathy to public discourse as Jill Lepore. Arriving at The New Yorker in 2005, Lepore, with her panoptical range and razor-sharp style, brought a transporting freshness and a literary vivacity to everything from profiles of long-dead writers to urgent constitutional analysis to an unsparing scrutiny of the woeful affairs of the nation itself. The astonishing essays collected in The Deadline...

"This book is a time machine. It goes backwards and forwards through all seven seasons. It takes longtime fans to a place where they ache to go again. It guides new viewers on their first trip to 1960s Madison Avenue. It lets us think about the show the way a TV critic does. Around and around and back home again, to a place where we know why it's loved."--Jacket.