Deep Roots, Dark Forests explores the unseen, the unnoticed, and the uncared for in our lives. It's the simple everyday things that are the most fascinating-the flowers, the forest, the decaying architecture in an old southern town. It's the silent, quick blooms of an azalea, the big, pure magnolia blossoms, and the wide roots of a live oak that capture the attention here. And there's also the fictitious melodies that whisper while amongst the trees...

"She had no idea what to do with love, she experienced it as invasion, as the prelude to loss and pain, she really didn't have a clue." Kathy is a writer. Kathy is getting married. It's the summer of 2017 and the whole world is falling apart. Fast-paced and frantic, Crudo unfolds in real time from the full-throttle perspective of a commitment-phobic artist who may or may not be Kathy Acker. From a Tuscan hotel for the superrich to a Brexit-paralyzed...

A Finalist for the Pulitzer Prize in Poetry A stunning new collection by the award-winning young poet and translator Like, that currency of social media, is a little word with infinite potential; it can be nearly any part of speech. Without it, there is no simile, that engine of the lyric poem, the lyre's note in the epic. A poem can hardly exist otherwise. In this new collection, her most ambitious to date, A. E. Stallings continues her archeology...

Once upon a time, four aspiring authors met at a writers' conference. Ten years later they're still friends, veterans of the dog-eat-dog New York publishing world.--From publisher's description.

"Letters, photographs, and diaries from the author of A Manual for Cleaning Women"-- "Before Lucia Berlin died, she was working on a book of previously unpublished autobiographical sketches called Welcome Home. The work consisted of more than twenty chapters that started in 1936 in Alaska and ended (prematurely) in 1966 in southern Mexico. In our publication of Welcome Home, her son Jeff Berlin is filling in the gaps with photos and letters from...

In this representative collection of Christina Rossetti's poems we find a vast array of narrative tales, love lyrics, sonnets, hymns, ballads, and sprightly verses for children. Ranked among the finest English poets of the nineteenth century, Christina Rossetti is a widely read, though not widely imitated poet, recognized for her devotional poetry, influenced by the religious conservatism and asceticism of the Church of England. This collection of...

"From the author of the beloved Ruth Galloway series, a modern gothic mystery for fans of Magpie Murders and The Lake House"-- Clare Cassidy is no stranger to murder. A high school English teacher specializing in the Gothic writer R.M. Holland, she teaches a course on it every year. But when one of Clare's colleagues and closest friends is found dead, with a line from R.M. Holland's most famous story, "The Stranger," left by her body, Clare is horrified...

"What is desire? And what are its rules? In this daring collection, award-winning and emerging female writers share their innermost longings, in turn dismantling both personal and political constructs of what desire is or can be. In the opening essay, Larissa Pham unearths the ache beneath all her wants: time. Rena Priest's desire for a pair of five-hundred-dollar cowboy boots spurs a reckoning with her childhood on the rez and the fraught history...

"Bird Cloud" is the name the author gave to 640 acres of Wyoming wetlands and prairie and four hundred foot cliffs plunging down to the North Platte River. On the day she first visited, a cloud in the shape of a bird hung in the evening sky. She also saw pelicans, bald eagles, golden eagles, great blue herons, ravens, scores of bluebirds, harriers, kestrels, elk, deer and a dozen antelope. She fell in love with the land, then owned by the Nature Conservancy,...

Septuagenarian: love is what happens when I die is a memoir in poetic form. It is the author's journey from being a mixed-race girl who passed for white to being a woman in her seventies who understands and accepts her complex intersectional identity; and no longer has to imagine love. It is a follow-up to the author's previous memoir (prose), Love Imagined: a mixed-race memoir, A Minnesota Book Award finalist. Praise for Sherry Quan Lee's Septuagenarian...