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Author
Language
English
Description
I attempt to deconstruct an image into textures, colors, and forms. By breaking down a recognized form, the image focuses on simplicity and fundamentals. By examining the relationships between parts of the whole, each image can be an individual work, and a piece of a work.
Using historical forms of photography, such as Polaroids and infrared film, works can come together and merge in an appreciation of imperfection and texture. Past and present can...
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